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Interviews
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
Shining a light in the shadows with Chris Hopkins
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Interstellar artefacts: Jason De Freitas’ analogue exposures of space

Photographing people “in their natural existence” with Banjo McLachlan

A conversation with Australian photojournalist, Kate Geraghty
Images of war are often synonymous with death and rubble, the destruction of entire cities and the victimisation of many, leaving us feeling distant and helpless. While the collective history of conflict images has often seen these descriptions reiterated in visual tropes, photography also has the power to cut through
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In Conversation with Lumina Collective
How did Lumina come about? Where did the idea stem from and how did it all look in terms of recruiting founding members, approaching potential candidates etc?
Morganna: Lumina was formed as a response to a gap in the Australian Documentary photographic community for a collective that challenged the traditional